Featured image on the Photos page

Photos

The ephemeral eternity of halides and other amazing discoveries


Photography came into my life the way many precious things do — by chance. One day, my sister left an old Soviet camera on my bed. I looked through the viewfinder and the world looked back at me. Raw, still, quiet. And I was hooked.

My background in physics helped me understand the technical side. But that wasn’t what kept me going. It was the way photography let me speak without words — like writing with light instead of ink. Over time, and with a lot of conversations with my dear friends Nacho and Diego, I started to see visual language as a space for reflection, not just aesthetics.

I shot my first conscious photos on film in the ’90s. I later tried digital, but my heart never left the halides. These days I use both — not out of loyalty to one or the other, but because I follow the image, not the medium. It’s the idea that matters. The story. The feeling.

My fiction writing influences this too. When I create photographer characters, I borrow their eyes for a while. I become them, see as they would. Each frame becomes a little fragment of their world — and of mine.

Photo gallery

This space is where I share my way of looking. Light, texture, shadow. Silence. These images aren’t just to be seen — they’re to be felt, if you want.

Black and White

Forms. Facades. Absence and presence. In black and white, things strip themselves bare. These photos catch light mid-thought — they’re quiet and sharp and timeless.

Abstractions

These images are not what they seem. Or maybe they are. I let patterns, textures, and nature’s strange geometry tell their own story. This is where I let imagination lead.

Chemical Photography

This is where I slow down. Film photography reminds me to be present. To wait. To breathe. There’s something ceremonial about it — the light, the process, the darkroom. Every frame holds time in it, like a pressed flower.

Final note

You can press the shutter all you want and call yourself a photographer. But if you’re shooting in full auto, your camera is the one doing the seeing — not you. Just think about that next time you ask for royalties.

Are you interested in knowing more?

If you’d like to explore more about my artistic journey, including special projects and collaborations, visit the Projects section.