I learned to draw by looking, not by reading manuals. Sure, I studied descriptive geometry, perspective, technical drawing — the whole academic package. But what shaped me were the hours spent watching shadows fall on paper, letting the lines guide me rather than the rules.
I’ve been drawing for over 40 years. My process is intuitive, playful, sometimes obsessive. My synaesthesia plays a big part — it makes form and colour dance together, makes me switch hands mid-line without thinking. I follow what moves.
Sometimes it’s graphite, sometimes Chinese ink, sometimes a stylus. I mix digital and traditional tools without ceremony. What matters is the trace, the gesture, the idea that wants out.
Illustrations gallery
This gallery holds fragments of my mind — some precise, some chaotic, all honest. It’s a space where technique meets impulse.
Any colour you like
Here you’ll find sketches, portraits, fleeting figures that arrived uninvited and stayed just long enough to be captured. There’s no method here, only rhythm. Some drawings are smooth. Others scratch. All of them belong to a moment that’s already gone.
A Selection of Illustrations from Humores Vítreos Azules
This series was born under a blue light, somewhere between fiction and memory. These drawings appeared while I was writing Humores Vítreos Azules. They’re scenes from the edge of a world that only exists when I close my eyes. Some are precise. Others just hint. But all of them carry that soft dissonance I call home.
Final note
I love history, but I’m a neo-post-modernist on the verge of joyful extinction. So before that happens, I’ll keep drawing whatever flickers into my dreams — on paper, on walls, on napkins, on code. Whatever’s at hand.
Are you interested in knowing more?
If you’d like to explore more about my artistic journey, including special projects and collaborations, visit the Projects section.